Htein Lin, Myanmar resilient artist

Present on the Burmese art scene for over 35 years, Htein Lin is : a painter, writer, actor, filmmaker, performer and visual artist. Known for its meaning-laden installations and powerful performances, he embodies art as a form of resilience, testimony, and - occasionally - a touch of well-aimed irreverence.

Biography

Present on the Burmese art scene for over 35 years, Htein Lin is : a painter, writer, actor, filmmaker, performer and visual artist. Known for its meaning-laden installations and powerful performances, he embodies art as a form of resilience, testimony, and - occasionally - a touch of well-aimed irreverence.

International Recognition

Htein Lin's work is held in several major museum collections including :

  • Asia Society Museum (New York)
  • M+ Museum (Hong Kong)
  • Red Cross Museum (Geneva)
  • Singapore Art Museum
  • Haus der Kunst (Münich)

He also participated in major artistic events around the world : The Venice Biennale (2007), Singapore Fringe Festival (2010, 2012), Miami Art Fair, Art Basel, Kochi Biennale (2012), Singapore Biennale (2016, 2017), Asia-Pacific Triennial (Brisbane 2019), Gwangju Biennale (2024), and more

Engagement as a Lifeline

Htein Lin was born in Burma in 1966. Student in law at university, he joined the Burmese Student Democratic Front very early on. Forced to flee in the jungle with the democratic front of Burmese students, he was first arrested and tortured in 1991.

In 1994, he completed his law degree and began a career as a comedian – poet. In 1998, political dissent caught up with him again, and he was imprisoned until 2004.

While incarcerated, he began creating some of his most iconic works. With no brushes, he painted using his fingers and broken objects on prison uniforms «borrowed» from the drying lines. He produced hundreds of paintings and more than 1000 drawings alongside soap sculptures, of curled-up inmates in their cramped cells.

A Life of Resilience and Transmission

Released in 2004, Htein Lin was introduced to the Great Britain ambassador who helped him to safeguard his prison artworks in a Dutch museum. A few months later, The two were married in the UK and returned to Myanmar in 2013.

During the country's brief democratic opening (notably after Aung San Suu Kyi’s party won the election in 2015), Htein Lin continued to poke fun - sometimes quite cheekily - at power structures and corruption. His “Recycled” series transformed destroyed artworks into papier-mâché canvases, painting over them anew. What others saw as waste, Htein Lin saw as potential. Upcycling, in his case, became a life philosophy..

A Key Voice in Contemporary Burmese Art

Htein Lin co-organised Yangon’s first contemporary art festivals : «Yangon My Home» (2015 and 2017), and later, «Seven Decades», a historical exhibition tracing 70 years of Myanmar story through art. He is also co-founder of the Association for Myanmar Contemporary Art, launched in 2021 to support local artists.

In 2021, following the military coup, both he and his wife were arrested for participating in anti-junta protests. Released three months later, he was placed under a travel ban, while she was deported to the UK.

Htein Lin now lives in southern Shan State, where he has set up a studio and art space to support emerging Burmese artists. His creative output remains as prolific and politically engaged as ever.

His recent series address urgent themes: the devastation of civilians displaced by war (« Bloody Hell », a Burmese echo of Picasso’s Guernica), or gender inequality (« Skirting the issue », exhibited at Galerie Retour De Voyage in 2022.)

Aesthetics, for Htein Lin, never comes at the cost of truth. His practice, deeply rooted in Buddhist spirituality and Vipassana meditation, blends memory, forgiveness and transformation.

His Works

His news

1 August > 31 October 2025, Retour De Voyage gallery

Exhibition "The inner thread"

6 Rose Rose Goudard – 84 800 L’Isle-sur-la-Sorgue – France

We are pleased to welcome Burmese painter Htein Lin, whose work bears witness to the current situation in Myanmar. A multidisciplinary artist, Htein Lin has a unique ability to transform hardship into light. He draws on every stage of his life, even the most difficult, to shape the substance of his art.

Whether through painting, sculpture, performance or installation : everything becomes creation, unvarnished, yet rich with meaning.


This exhibition is both a powerful testimony, and an invitation to see differently, Some of the works on view have already been exhibited this year in Seoul, Hong Kong, Birmingham, and will soon be featured at the Berlin Biennale.

14 June > 14 September 2025, Berlin Fine Arts Biennale

Auguststrasse 69 – Berlin – Germany

The Berlin Biennale 2025 has chosen to feature Burmese artist Htein Lin for his work deeply rooted in resistance to oppression. A former political prisoner, Htein Lin created powerful pieces while in captivity, including the serie 000235, as well as symbolic performances like The Fly. His work embodies the concept of “fugitivity” — a central theme of this edition — as both a gesture of survival and an act of dissidence. Though banned from traveling, his voice crosses borders, echoing contemporary struggles against repression. His presence in the Biennale reflects its commitment to supporting artists in exile or under threat.

20 March > 1 July 2025, Ikon Gallery

1 Brindley Pl, Oozells Sq, – Birmingham B1 2HS – United Kingdom

Exposition “Escape” : Ikon Gallery presents a major solo exhibition by multidisciplinary artist Htein Lin, originally from Myanmar.

Highlighting his lifelong commitment to documenting the human condition in times of hardship, the exhibition features a comprehensive selection of works created during his imprisonment as a political prisoner from 1998 to 2004 including paintings made on prison uniforms and found textiles, alongside drawings, sculptures, videos, and newly commissioned pieces..

March 2025, K&L, Museum of Modern Art

19 Dwitgol 2-ro, Gwacheon-Si – Gyeonggi-do – Seoul – South Korea

Group Exhibition: “Heritage of the golden land”. This collective show of artists from Myanmar explores the deep metaphorical significance of the word mother as the ultimate source of life. The exhibition delves into Myanmar’s historical and social dimensions, tracing the nation’s maternal roots up to the present day, while redefining the unique value and significance of Myanmar’s artistic developments within the context of contemporary art.

March 2025, 10 Chancery Lane Gallery

10 Chancery Ln – Central – Hong Kong

The exhibition “Beauty will save the world” brings together iconic artworks by eight leading contemporary artists, from Southeast Asia, along with visually and sensorially captivating newly commissioned pieces, These works combine aesthetic beauty with layered semantic play offering a fresh lens on contemporary regional creation.